WHAT I’M WORKING ON . . .
This is a three-panel, two-sided, stand-up collage. It’s folded like an accordion book, but “book” is way overstated for what this is!
I lived in Japan for one year as a pre-teen. I visited Japan for 10 days in 2014 (when I was much, much older). That’s my entire physical connection with the country. But about 15 years ago, Japan kept popping up in my head, and then began appearing regularly in my art. Here’s the latest piece I’ve made that incorporates my memories, my collections, and the flea market that is my brain.
The first two photos show you the front and back (or are they the back and the front?) of the collage, and then two pictures showing you the details on two of the six panels.
What are all the items in the collage? Well, antique Japanese papers, hand-stained and hand-painted papers, pages from vintage Japanese books, Japanese ledger pages, my own photographs, vintage Japanese postage stamps from my collection, my own “faux calligraphy” scribbled onto papers using sumi ink, signature “chops” from a collection of Japanese hanko, and more.
There’s so much going on in this collage that it’s not exactly the “less is more” minimalistic, wabi sabi look one would expect of Japanese art, is it? But it’s quite representative of me and all my fleeting visual experiences and the constant “oh, look at this!” moments I’ve had in the country.
And it was Nietsche who said, “No artist tolerates reality.” Who am I to argue with him?!
©Copyright 2020 Carol Leigh