When in doubt, draw cats!
©Carol Leigh
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Showing posts with label DBOC. Show all posts
Showing posts with label DBOC. Show all posts
Monday, March 27, 2017
Saturday, March 25, 2017
Daily bit of creativity, #012: Mobile project finished
Here’s the mobile hanging from a cedar tree branch in the front yard. It looks smaller than I thought it would, but I wanted to start small, just to see if this would be something I could stand making on a much larger scale.
Gotta say, it was tedious painting the sticks.
I used a few beads in between each of the sticks to separate them nicely, and that was fun to do.
I especially like looking out the kitchen window and seeing the unexpected touch of color among all the green trees and brush. Makes me smile.
To make a big one would be a huge project. Not sure I’m up to it right now. Could be a good winter-time activity toward the end of the year. We’ll see! Now on to something else...
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
Gotta say, it was tedious painting the sticks.
I used a few beads in between each of the sticks to separate them nicely, and that was fun to do.
I especially like looking out the kitchen window and seeing the unexpected touch of color among all the green trees and brush. Makes me smile.
To make a big one would be a huge project. Not sure I’m up to it right now. Could be a good winter-time activity toward the end of the year. We’ll see! Now on to something else...
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Friday, March 24, 2017
Daily bit of creativity, #011: Burned driftwood
I burned marks into a piece if driftwood to see what it would look like. Well, it's kind of cool, but not cool enough for me to put on a wall in the house, so I strung it up in a tree in the front yard.
It's near the handmade paintbrush that hangs from another tree . . on the other side of the yard from a barnacle-covered piece of wood dangling from a different tree . . . next to a mobile I made in Nevada City, California out of cherry tree twigs and beads and a piece of obsidian . . .
I won't bore you with the rest!
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
It's near the handmade paintbrush that hangs from another tree . . on the other side of the yard from a barnacle-covered piece of wood dangling from a different tree . . . next to a mobile I made in Nevada City, California out of cherry tree twigs and beads and a piece of obsidian . . .
I won't bore you with the rest!
©Carol Leigh
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Wednesday, March 22, 2017
Daily bit of creativity, #010: Bad Art
This is not good. Well, I think it’s good, but it’s really not.
Yesterday morning I got up really early and began working on this piece. It went through a lot of changes before I began feeling it was coming together. I prepped it for uploading to Fine Art America. Named it "Ecliptic Shadows." Keyworded it. Wrote a description.
My final step is always to look at the image at 100% to make sure I’ve not accidentally cloned something improperly, to make sure everything’s in focus that should be in focus, etc.
And that’s when I discovered my mistake. My big, big, mistake.
This is a photomontage, and the big brown semi-circular element is a scan of a monoprint, a print I’d made using a gelatin plate. I’d painted an image on the plate and then, before the paint dried, pressed a piece of clean white paper onto it, transferring the paint from the plate to the paper. It looked good!
My mistake was that in pressing the paper onto the gelatin plate, the paint you see toward the top of that circle was thicker and it squished down more than the rest of the paint. So even though the print was scanned and perfectly in focus, that squished area looks soft. Really, really soft. It’s a sharp image of a blobby section. It looks out of focus.
I had spent hours on this photomontage. I was finally satisfied with it. But in my rush to create something, I was careless. I should have examined the focus on that section of the circle before I did anything else.
I thought I might be able to fix it. But damned if I was going to rip the whole thing apart and spend more time at that point!
So here I am this morning. I tried a number of tricks to fix just that one layer, and none of them worked. I have to give up. It will never go on sale at Fine Art America. But it’s GREAT as a teaching tool!
And the lesson is this: Before you jump into any photomontage in the future, puhleeze check all the elements to make sure they’re sharp if you want them to be sharp, soft where you want them to be soft. Don’t wait to check until the end of the whole process, when your energy is depleted and your hopes dashed.
You do not want to begin your day with dashed hopes! Think I’ll go watch a cat video…
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
Yesterday morning I got up really early and began working on this piece. It went through a lot of changes before I began feeling it was coming together. I prepped it for uploading to Fine Art America. Named it "Ecliptic Shadows." Keyworded it. Wrote a description.
My final step is always to look at the image at 100% to make sure I’ve not accidentally cloned something improperly, to make sure everything’s in focus that should be in focus, etc.
And that’s when I discovered my mistake. My big, big, mistake.
This is a photomontage, and the big brown semi-circular element is a scan of a monoprint, a print I’d made using a gelatin plate. I’d painted an image on the plate and then, before the paint dried, pressed a piece of clean white paper onto it, transferring the paint from the plate to the paper. It looked good!
My mistake was that in pressing the paper onto the gelatin plate, the paint you see toward the top of that circle was thicker and it squished down more than the rest of the paint. So even though the print was scanned and perfectly in focus, that squished area looks soft. Really, really soft. It’s a sharp image of a blobby section. It looks out of focus.
I had spent hours on this photomontage. I was finally satisfied with it. But in my rush to create something, I was careless. I should have examined the focus on that section of the circle before I did anything else.
I thought I might be able to fix it. But damned if I was going to rip the whole thing apart and spend more time at that point!
So here I am this morning. I tried a number of tricks to fix just that one layer, and none of them worked. I have to give up. It will never go on sale at Fine Art America. But it’s GREAT as a teaching tool!
And the lesson is this: Before you jump into any photomontage in the future, puhleeze check all the elements to make sure they’re sharp if you want them to be sharp, soft where you want them to be soft. Don’t wait to check until the end of the whole process, when your energy is depleted and your hopes dashed.
You do not want to begin your day with dashed hopes! Think I’ll go watch a cat video…
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Tuesday, March 21, 2017
Daily bit of creativity, #009: Mobile sticks
Painting sticks to make a colorful mobile to hang from a tree in the yard. A silly little project, but fun. (Laura: Nothing like your huge TEEPEE that YOU'RE painting!)
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Monday, March 20, 2017
Daily bit of creativity, #008: Prints
Making prints to use (perhaps) in an assemblage piece I'm working on. We shall see . . .
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Sunday, March 19, 2017
Daily bit of creativity, #007: Journal bits
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Thursday, March 16, 2017
Daily bit of creativity, #006: Journal Bits

Art journals are just places to play, to explore, not necessarily to create the perfect page ready for framing. On this page, all I was doing was making marks with Tombow markers, seeing how the colors looked on this particular kind of paper. Photographed it with my iPhone and then, just because I could, turned it into an orb. Ta da!
©Carol Leigh
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Wednesday, March 15, 2017
Daily bit of creativity, #005

The fun part about keeping a journal is that it reminds you of things that were going on in your life, or things you were creating, at a certain time.
In July of 2010, I was apparently quite chuffed at creating this image of pen nibs. So I made a small note of it and added a few colorful things.
Art journals, journals in general, don’t have to be fine masterpieces. A few words, a few colors, and a memory is honored.
©Carol Leigh
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Tuesday, March 14, 2017
Daily bit of creativity, #004


I showed the first photo in this group back on February 6th, 2017, and how it’s part of a ledger book that is full of empty pages. When I work on a collage or something else and have extra bits of paper around, I’ll often glue them into this ledger book.
So here you see two hand-painted pieces of paper glued to the same page. I liked the color combination, so brought the (now a ledger) page into the computer and tweaked the color a bit, as you can see in the second photo.
From there I just kind of went nuts, adding and removing various items until I came up with the astronomy-isn image you see in the third photo. I uploaded it to Fine Art America, where I called it “Star Chart Landing Pattern.” All in a (fun) day’s work!
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
Monday, March 13, 2017
Daily bit of creativity, #003
With this daily “creativity” thing I’ve (perhaps foolishly) started, I was poking around a bunch of cellphone photos, pictures I took of Peggy’s Cove Lighthouse in Nova Scotia last year. I’d tweaked this picture a lot in-camera, so now it was time to bring it into Photoshop on the desktop and see what else I could do.
This is what I made this morning. I also (again, perhaps foolishly) uploaded it to Fine Art America because hey, why not? I like this picture (today). But I can see how some (or most) people might not. I mean, what the heck are those boxes in the sky? And what about those red thingies in the lower right?
I believe that artists have to make work to please themselves. If someone else likes it, well, then BONUS!
So that’s my daily bit of creativity for today. Hope you enjoyed seeing it.
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
This is what I made this morning. I also (again, perhaps foolishly) uploaded it to Fine Art America because hey, why not? I like this picture (today). But I can see how some (or most) people might not. I mean, what the heck are those boxes in the sky? And what about those red thingies in the lower right?
I believe that artists have to make work to please themselves. If someone else likes it, well, then BONUS!
So that’s my daily bit of creativity for today. Hope you enjoyed seeing it.
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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Daily bit of creativity, #002

I’m thinking about making a book, a handmade book, using some of the photos I took in Kyoto, as well as a lot of old papers.
(Have I made a book before? Other than the two rudimentary back-to-back-to-back books I’ve made this year? No. Will that stop me? No.)
The book will be not necessarily about the photographs, but rather the whole tactile/visual experience of the book in general.
The photos will act as a theme, the “glue” that holds everything together.
So it’s not like I’m creating a series of fantastic photos, meticulously post-processed, and then printed on the finest paper around. No. I’m using a series of very good photos, selected and post-processed specifically with this handmade book in mind, and printed on less-than-traditional papers.
I’ve been so excited about the book, visualizing the final results, how I want it to look, etc. It’s the photo processing that’s been weighing heavily in the back of my mind.
I’m not a photo printer. I dislike the whole process. It’s always been a challenge and I avoid it. And since I don’t use my printer much (like never in the past year), I knew nothing was going to go right once I began printing. Which was last night.
And nothing did. I’ve apparently got clogged nozzles and need to do some research before I can proceed further. I did print out this image, however, on a couple of different papers, then went into the studio to play with them some more to see what would happen.
I’ve gone from total despair, deciding to chuck the entire project (yesterday) to hmmmm, I can work with this and can continue on (today).
These are two versions of the same picture — a monk in a temple in Kyoto. I’m probably going to go with the first version. I used diluted ink on it and it’s too dark in some places and needs to be controlled better, but it’s a good start. I just need to practice.
As I progress with the book, I’ll continue posting updates here.
So what are YOU creating today? I’d love to hear about it.
©Carol Leigh
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Sunday, March 12, 2017
Daily bit of creativity, #001
This morning, just to keep my head in the game, I decided to post one bit of something I've created every day.
I work on a lot of art projects, photography being just a small part, and thought it might be fun to photograph stuff that I'm making, that I'm drawing, thinking about, seeing, experimenting with, etc.
And this is my first one. It's a gourd I made eons ago, with beads hanging from it and a crow feather stuck into some leather at the top. It sits on a shelf over my desk. There's a wall lamp immediately to the right, my only light source in the early morning hours.
The iPhone was right there, why not take a picture and see what happens?
Well, the picture wasn't so great, but it wasn't awful, either. I transferred it into the computer, tweaked it using Camera Raw, then used an effect from Topaz which I can't remember now, then added a texture. By this time the shot was really muddy, so I made an adjustment layer and, with Levels, lightened and brightened the image, trying not to lose some of the mood.
Is this a wonderful piece of art? Nah. I don't think so. But it's something different. And that's the important thing, that it's different.
That's what this daily project is supposed to give me -- the motivation to create something, anything, every day and post it here.
I did something similar years ago -- a photo a day. Man, it was hard! But it kept me thinking about photography all the time. And my photography improved.
This might be difficult as well. After all, if it were easy, everybody would be doing it, right?
Wish me luck. And be prepared to see some pretty awful art. But there will be a lot of good stuff, too. I guarantee it.
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
I work on a lot of art projects, photography being just a small part, and thought it might be fun to photograph stuff that I'm making, that I'm drawing, thinking about, seeing, experimenting with, etc.
And this is my first one. It's a gourd I made eons ago, with beads hanging from it and a crow feather stuck into some leather at the top. It sits on a shelf over my desk. There's a wall lamp immediately to the right, my only light source in the early morning hours.
The iPhone was right there, why not take a picture and see what happens?
Well, the picture wasn't so great, but it wasn't awful, either. I transferred it into the computer, tweaked it using Camera Raw, then used an effect from Topaz which I can't remember now, then added a texture. By this time the shot was really muddy, so I made an adjustment layer and, with Levels, lightened and brightened the image, trying not to lose some of the mood.
Is this a wonderful piece of art? Nah. I don't think so. But it's something different. And that's the important thing, that it's different.
That's what this daily project is supposed to give me -- the motivation to create something, anything, every day and post it here.
I did something similar years ago -- a photo a day. Man, it was hard! But it kept me thinking about photography all the time. And my photography improved.
This might be difficult as well. After all, if it were easy, everybody would be doing it, right?
Wish me luck. And be prepared to see some pretty awful art. But there will be a lot of good stuff, too. I guarantee it.
©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.
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