Showing posts with label Oregon. Show all posts
Showing posts with label Oregon. Show all posts

Monday, December 10, 2018

On this date . . .


Back on this date in 2010, eight years ago, we were driving around the industrial parts of Salem, Oregon, where I found some great walls and cool vegetation in front of them.

The warm, monochromatic look was appealing on this early winter's day.

All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh. Thank you for your understanding and kindness.

Monday, October 1, 2018

What-Iffing . . . sketches



Spending time wondering "what if" is time well spent. How else will you know what will work, what won't, what sorts of photos work best, and what techniques produce the best results.

Sure, you might create a LOT of really bad work, but so what?

If you don't experiment, you will be in the same artistic box, day after day.

Here are three of my latest experiments with turning photographs into sketches (sort of). I'm not 100% pleased with them, but there's something rather appealing (at least for me) about what I made.

I like how words and tiny details show up clearer in the sketch than they do in the original photograph. I like the outlines. And I like the transparent-ish colors.

The only way I know how I made these pictures would be to go back to my original photographs and take a look at all the layers -- which I leave intact. I have yet to develop a "recipe."

Yes, experimentation is time-consuming. No, this isn't for everyone. For me, however, it keeps my mind and my eyes active, and it keeps my art changing. I hope!

All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh. Thank you for your understanding and kindness.

Sunday, August 5, 2018

The art of fishing




Lately there's been a bit of housecleaning at Fine Art America. I'm slowly removing some pictures that I don't feel are my best, as well as adding more to the mix.

These four were added recently. My "art of fishing" images sell well at FAA, so why not include a few more choices in the mix?

The top two came from the Oregon coast, and the lower two (actually the same photo, but one is a square, the other full-frame) came from Seattle.

Can't get enough of this stuff! Color and grunge. What's not to love?

All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh. Thank you for your understanding and kindness.

Thursday, April 5, 2018

Latest work: R/V Atlantis

The Research Vessel "Atlantis" docked in Astoria, Oregon. This U.S. Navy ship is operated by famed Woods Hole Oceanographic Institute and travels worldwide. I feel lucky to have seen it during its brief visit in Northwest Oregon.

All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh. Thank you for your understanding and kindness.

Saturday, December 16, 2017

Eight years of December (part 1)




Blogs are sort of like scrapbooks, you know? Keep at them long enough and you have a visual record of your life.

"Remember when we went to Florida and encountered no-see-ums for the first time?" Or, "I miss Dungeness crab season on the Oregon coast and all that activity, don't you?"

So I looked at the pictures I've posted in my blogs each December, going back to 2009. I selected one photo for each year.

And in '09 there was a big freeze on the Oregon coast, where water oozing out of the bluffs next to the ocean turned into frozen waterfalls. It was magical! And COLD.

Sanibel Island in Florida was NOT cold in December of 2010. This couple was hunting for shells and I liked their silver hair, their matching jeans, new sneakers, and especially her vivid red sweater. I purposely used a slow shutter speed to blur them into unrecognizability yet capture their togetherness as they both bent forward a bit looking for beach treasures.

In 2011 I was making weird things, using photos of (in this case) ice and clock parts. The preoccupation with time remains with me, although I seem to have no concept of it in real life.

And finally, crabbing season about to begin in 2012. All the boats along the docks in Newport, packed with crab pots and colorful buoys... So much going on, so much color, so much activity, and so much at stake for these folks, where a successful haul means a good Christmas and a strong financial start for the coming year.

Four more photos coming up in the next post. Fair warning!

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Wednesday, November 8, 2017

Compare and contrast . . .


Both of these fishing boats were photographed along the docks in Newport, Oregon. I'm liking how the black and white treatment really emphasizes lines and shapes.

I also like how different these two boats are -- the "Last Straw" obviously extreeeeeeeemly beamy, making the "Judy" boat look very thin and upright.

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.



Thursday, August 31, 2017

Latest work: "Industrial Art"


As a lot of you know, I've always loved photographing industrial things and lately I've been taking this weird predilection a bit further, rummaging through older photos and giving them a new look, plus prowling around back alleys, marinas, train yards and boat yards looking for new material.

I found these two subjects in Oakland, Oregon six years ago and finally did something with them this morning.

Gotta love corrugated metal!

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Wednesday, August 23, 2017

Latest black and white images



I'm experimenting with black and white photography these days, which, because I usually gravitate toward brilliant color, is kind of weird, but I'm enjoying the process. And sometimes I'll add a bit of color here and there, very subtly, as you can see in the second and third pictures.

A hood ornament on a 1933 Oldsmobile stands out nicely against the soft background. Even nicer when it's all black and white, no green and red cars back there to distract our attention from the lovely lines of the hood ornament.

The second picture was taken on the Oregon coast. The original, color version contained way too much bright (fluorescent) algae growing on the big door to the right as well as here and there throughout. Way too distracting, and takes your eye away from the weathered and old feeling that I wanted to emphasize.

And then a black and white (plus a bit of color) shot of an old Volkswagen photographed in Port Townsend, Washington. I like how the touch of color adds some warmth to the otherwise cold black and white version.

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Monday, February 27, 2017

Eight years of February blog photos . . .








It's fun to look over the pictures I've posted here over time, and this morning I decided to look at my February photos since 2009 and selected one from each February for the past eight years.

in 2009 I was doing a lot of "drive-by" shooting, taking photos through the car window as we were out driving around. I particularly like these trees, taken at Ona Beach on the Oregon coast. There's a lively, whimsical feeling to them that I find appealing.

In 2010 Chris and I were down in San Diego, visiting relatives and Rich and CJ. We stopped in Encinitas to check out the sunset. The sea was glassy smooth, a pewter look that echoed the color of the clouds. I like all the horizontal layers, beginning with a dark strip of beach at the very bottom, the incoming waves and foam, the silvery smooth section farther out, the peachy glow of the sunset, and then a strip of ominously grey clouds at the top.

The folks in lower Bayshore, Waldport, Oregon, certainly remember February of 2011, where, after a night of heavy winds and rain, they awoke to find their yards, driveways, and streets covered in huge, wet sand dunes. The homes are built on a spit, right on the ocean, and Oregon weather such as this can wreak havoc. Unlike snow, which shoveled and it eventually melts, these dunes (some so heavily pressing on garages that the doors collapsed inward) do not melt. A company is contracted to come in, load up all the sand, and take it elsewhere. I've heard of homeowners removing the plates off electrical outlets inside their homes and having sand come pouring out. It gets in everywhere.

In February of 2012, I was thinking about giving my online photo students an assignment to take pictures of jewelry, and so I photographed a silver charm on my mother's bracelet, part of a series of charms she got while we were living in Japan in the early 1960s. It's a lovely image and brings up warm memories.

Always a sucker for shooting letters and grunge, the two came together beautifully in February of 2013, where I was in Toledo, Oregon shooting whatever I could find on train cars.

A big wet snow in February of 2014 was fun to see, and I went out into our back yard where we had an old mailbox (given to me by my neighbor Juanita when she moved away) draped in buoys. Wore my wellies to get out there and tromp around, taking pictures.

In February of 2015 I processed a few photos I'd taken in Kyoto the previous fall, and this one I particularly liked, taken inside a temple.

And then finally last February of 2016, our first winter on Whidbey Island, I took advantage of good weather and went out photographing the military bunkers here on the island. I was drawn to the wall texture, the black and white look, the shadows, and the combination of straight lines and the circle. Fun, abstract stuff!

And now we are on the cusp of March. The rhodies are just beginning to bloom; what might be crocuses are showing their leaves, soon to be eaten down by deer; the owls are remarkably quiet, probably nesting; but the towhees, juncos, and varied thrushes are out in force, gobbling up the seed we scatter for them. The ruby-crowned kinglets have come and gone. But I think I heard a chickadee the other day. Spring is about to spring!

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Wednesday, November 30, 2016

Eight Years of November








I took a look at all the photos I've posted in the month of November over the past eight years and selected one from each November for each year. (What a confusing sentence. Darned if I'm going to edit it, though.)

In 2009 snow covered a still-blooming fuchsia bush as well as a cute little birdhouse in our back yard in Waldport, Oregon.

Another year I was out on the beach in Oregon, looking for patterns in the sand. That's one of the big things I miss here on Whidbey Island -- big empty beaches. Miles to walk, and if there were four people out there, it was crowded! There are lots of beaches here, too, but many are private, others are smaller. No huge expanses of sand during minus tides. Not a complaint! Just something I miss.

Below that is a photo taken at the Seal Rock overlook in Oregon. A long exposure helped emphasize water movement and the spray from the waves.

And the fishing boats in Newport, Oregon? I miss them, too, although I've found a few extremely cool places here in Washington to photograph. Just takes a bit more driving to get to them. The fishing vessel "Finn" looks pretty good there on a foggy morning.

Below "Finn" is a photomontage I made out of paper and copper and rusty metal that I call "Northern Lights."

The weird photomontage below that is called "And the Rains Came." I would have to go back to see all the elements I used to create it. But I do remember that the vertical "raindrops" came from a photograph I took of a carved and painted wooden support pole in Santa Fe. Gotta say, the results surprised me. In a good way.

The sepia-toned image is the Coupeville Wharf, taken in 2015 when we moved here to Whidbey Island.

And this year's November shot is called "Experiment #9504." An ongoing series that is simply fun at the moment.

So there you have it. November's been a pretty good month photographically over the years.

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Monday, July 4, 2016

Happy Independence Day . . .


Life is just a tire swing . . . or is it a boat bumper?

The tire swing was photographed in Brownsville, Oregon back in 2011. The tire hanging off a metal fishing boat in Anacortes, Washington was shot a month ago.

Two old tires. Both put to good use.

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Tuesday, May 10, 2016

My favorite shots of all time








This series of images, a series I call "Between Tides," was created back in 2009. I spent a lot of time walking along Oregon beaches, photographing rocks on the bluffs. I then chopped up the pictures, re-combined them, blended them, and turned them into these images. I have more than 50 of them!

Why do I like them? They are primitive-looking, colorful, graphic, strange, mysterious, and bold. They represent my time spent simply walking and looking. They represent my ability to make something out of seemingly nothing. And they are nothing like I have seen anywhere else. And I've seen a lot! They are uniquely mine.

I have a number of them up on Fine Art America. Have they ever sold? No. Should I remove them? No. Eventually someone will like them as much as I do. And if not, then they're still there for me to admire!

Hmmmm... These would look good printed on metal. At the very least, I should have some printed to hang in my own home.

Again, I consider these my favorite photos. And of the hundreds of thousands of pictures I've created, these still, from 2009, stand out for me.

Thanks for looking.

©Carol Leigh
All text, photographs, and other media are ©Copyright Carol Leigh (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from Carol Leigh.

Tuesday, March 4, 2014

Signs of the times . . .




Walking around the industrial sections of Portland gave me a lot of opportunities to photograph parking signs. I tried to find ones that were either interesting or were placed in front of colorful buildings.

Why shoot these things? Well, they're colorful, they're spare, and, damn it, SOMEBODY has to do it!

©Carol Leigh